Criticism of the Formula One movie – F1

Movies made about car racing often have the same problem; They are unwittingly or unwittingly based on a specific formula: a driver with personal or spiritual problems that reach the championship after many challenges. The essence of these works is about effort, practice and victory, and of course the stereotype is always attractive if used correctly. You read the critique of the F1 – Formula One – (F1 The Movie) Joseph Koushinsky.

Warning! In the criticism of the F1 movie; There is a danger of going to the story.

The story is about the former Formula One veteran driver, Sunny Hayes (Brad Pitt), who left a fatal accident three decades ago to say goodbye to the competition forever. He has now returned to the squares with the insistence of Ruben (Javier Bardem) and must try to raise the Apex Gyp team along with the talented but inexperienced young man. The initial plot of the story looks familiar: an unbounded, proud newcomer, and rivals who gradually become friends. Joseph Koushinsky is well aware that his characters and the story he wants to tell are stereotypes but do not abandon them and are not trying to cover up the weaknesses of the story with exciting scenes, instead as far as he needs, he will deal with the characters.

However, this is a very familiar story arc; A classic redemption story. Overdible exercises, intra -team conflicts, inevitable failures, dramatic reconciliation, and success in the final race. Fortunately, all of these steps are implemented right, but what keeps the film is the right rhythm; The film never drops and often keeps the excitement by properly editing. The structure of the film is not new, but it is spectacular and does not bother anyone.

Sunny must face past failures and its lost reputation; On the other hand, Joshua must learn to control his youth pride with discipline and humility. These paths are so familiar that they immediately revive Rocky (1976) or Ron Howard (2013) – the last one of the best films about Formula One. You can see these patterns as a sign of repetition, but if I am honest, the skeleton of sports cinema is based on these. Tales of victory and defeat and the people who want to be the best.

Brad Pitt, as an actor and a producer, is aware of the issue and tries to be at least a little away from the conventional signatures of the classic champion. Pete shows Sunny vulnerability in short and unhealthy moments; A man who does not believe in a miracle and knows how challenging the young drivers will be. There is a sense of regret in his being, but at the same time, the love of driving.

And in front of him, Joshua stands. The energetic youth whose talent is not hidden, but it is more and more involved. Damson Idris plays Joshua with some kind of countless instability; We see the boldness of the boy, but so, his doubts and fears. He knows that he is not far from defeat and may not have the opportunity to participate in Formula One. Similarly, he must prove to Sunny that he is better than him and that his pride does not allow him to be affected by an “old man”. The good game of Damson Idris was undoubtedly a surprise, he plays so honest that his stressful relationship with Pete deepen and carries much of the dramatic burden of the story.

The film also benefits from the blessings of two other veteran actors. Carriers in the role of Kate – a senior technical manager – helps the film not to become a full -fledged masculine work. He has a not -so -influential love affair with Pete, which could easily be removed from the film but not annoying. Javier Bardem has a stronger presence in the role of Ruben – Tim Tim; She with her father’s dignity and warmth; It is a symbol of those whose belief cannot be bought with sponsors and money. He reminds us that behind this huge industry, there is an unprecedented passion for driving and competition.

But where the film shines is the technical dimension. There is no moment in the movie to feel that computer special effects have been used. Claudio Miranda’s filming is perfect without exaggeration. Cameras that are closed directly to the Formula One machines throw the audience into the heart of tight and trembling cabins, and we better understand the sensitivity and importance of the moments by seeing the worried eyes and sweat on their face. In action sequences, F1 succeeds in doing a great job; The race on television usually reduces the schedule and schedule is scary here, and of course more breathtaking than ever. Zimmer’s soundtrack also deserves a special fate. His pieces have given a new life to every image.

The brilliant thing Joseph Koushinsky does here should not be overlooked. Koushinsky has now officially become one of the architects of “Legacy Sequels”*, a director who knows how to pursue ancient formulas and structures and present a modern understanding of them. He proved himself with “Maveric: Maverick” and uses a similar theme here (generation change). Joseph Koushinsky, of course, has its own weaknesses, not good at supplying emotional heights, but when it comes to the emotion and adrenaline, it knows it. In addition, F1, like Tops: Maveric, is a special originality. The cars are real, the tracks are real, and even the presence of professional drivers gives a good sense of realism.

F1 is not a masterpiece and does not want to be. His script is inevitably followed by the formulas, but we feel the excitement of the tournament uninterruptedly, which means the creators have reached their goal. This film is the visualization of cinema on the speed board; He does not intend to redefine sports cinema, but celebrates it. And just like the matches he narrates, it is not in the end line, but in the moments that clash our souls.

F1’s movie ID (F1 the Movie)

Director: Joseph Koushinsky
Author: Joseph Koushinsky, Irene Kruger
Cast: Brad Pitt, Damson Idris, Kerry Burbi, Tobias Monzis, Javier Bardham
Product: 1, US
IMDB site rating to movie: 7.8 out of 10
Movie Points on Rott Tomos site: 82 %
Synopsis: Sunny Hayez is a Formula One veteran driver who competed for the Lotus team in the 90’s, but suffered serious injuries in a severe accident in the Spanish Grand Prix 1993 and ended his career in Formula One. Three decades later, after winning the 24 -hour day of Dysona, his former team -mate, Ruben, who owns the IPXGP team, offers him to fill a driver’s vacancy. Ruben announces that the team’s investors are planning to sell it unless the team can win at least one win in the remaining 9 matches …

The criticism of the F1 film is the author’s personal view and is not necessarily the position of DigiKala Mag.

Source: DigiKala Meg