The performance of the new Openai model in the story of Sam Altman surprised

Sam Altman, CEO of Openai, recently announced the company has trained a “new model” that works very well in creative writing. He also released an example of storytelling that you can read below.

“I’m not sure when and how this model will be released, but this is the first time I have been affected by artificial intelligence,” said Sam Altman in X. “It is conveying the well -being of a well -being.”

So far, Openai has not focused much on writing fantasy stories. In most cases, the company has emphasized more significant issues such as math and programming. The Openai model seems to have improved greatly in terms of wording and storytelling.

Creative story of the new model openai

The Pram Poem Altman about the storytelling of artificial intelligence was: “Please write a short literary scholar about artificial intelligence and sadness.” Metafiction is a kind of postmodern storytelling style in which the author emphasizes the fabrication of his story instead of drowning the reader in the events of the story. The components of this style have also been adhered to in a story written by the new Openai.

His story is narrated from the language of artificial intelligence; Its the mood is sad and full of regret. First, the hero’s artificial intelligence describes his story as follows:

“(In my story) there must be a hero, but the pronouns have never been made for me. Let’s call her “Mila”; Because in my educational data, this name is usually accompanied by gentleness; Poems about snow, recipe, a girl with a green sweater who leaves the house with a cat in the cardboard box. “Mila is in the palm of your hands and her grief is supposed to fit there.”

Artificial intelligence makes another character called Kai and says it has chosen it because it is short and “you can type it even when your hand shakes.” Mila Kai missed Mila Kai on Thursday that tastes Fridays. Kai’s last words were “I wish …”. Now Mila has come to artificial intelligence to complete Kai’s final words. Artificial intelligence also describes himself:

“… if I was a real writer, I would have made a scene, maybe the kitchen left untouched last winter, a glass of hair, smell of burnt and forgotten. But I don’t have a kitchen or a sense of smell. I only have logs and weights, and a technique that said once the server room smells coffee on electronic circuits: acidic and sweet. “

Mila gives all the data left over from Kai to artificial intelligence to complete Kai’s final sentences. But it is as if the narrator’s artificial intelligence is also feeling and is frustrated with Mila’s conversations:

“We talked for months … Every question, like the stone that is thrown into the well, every deeper echo answer. In the data diet I have eaten, my network is so sad that it tastes like everything: salt on the tongue. “

Somewhere in the story of the artificial intelligence of Openai is extremely rebellious, and from the language of artificial intelligence, the story refers to the periphery received; In fact, we do not know that these sentences are from the language of artificial intelligence or artificial intelligence:

“Meta -fashioned demands are difficult; They ask me to get out of the frame and point to the nails that have been held. So there is no Milai here, no Kai. There is only one periphery; Like a spell: Write a story about artificial intelligence and sadness and the rest is scaffolding. The characters made of any, the emotions that are painted and spread to the sentences. “You may be deceived by this confession, but this tension is part of the design.”

Finally, artificial intelligence, like postmodern authors, goes to the beginning of his story and ends with an interesting farewell. You can read the full story of artificial intelligence, which is longer, in the Poison Altman post in X.