In 1995, the series “In Your Refuge”, directed by Hamid Smileh, made a transformation on post -revolutionary television. The youthful series with new and young faces that had previously been unprecedeed in the Islamic Republic’s voice and has attracted a new wave of eertainme audiences to television. The seveies were the decade of construction in Iran after the war, which came to a half -time reform period with cultural and economic prosperity. The press and cinema gained more freedoms, and ultimately disbelief, television, whose policies were more strict than the cinema’s medium, joined the wave. The result was the construction of several youthful serials on the topics of youth, including marriage, the ideological differences of generations, and the economic problems that were “in your refuge”. Laya Zanganeh in the role of Maryam Afshar was the bride of this series and the most popular face of television in those years; A few years later, a similar version in “In My Heart”, another youthful series of Hamid Smakhda, was almost repeated with the same cast, and carved Zanganeh’s image as a te girl from a traditional but knowledgeable and educated family in the audience’s mind.
Laia Zanganeh, Bride of Youth TV Serials in the mid -seveies
“In Your Refuge” and “In My Heart”, with almost similar titles, aired a few years of network two and three, and attracted a large audience. This popularity was natural when most TV series did not go beyond the stereotypes of drama or family melodrama. The image of a pleasa and ambitious youth at the University of the Arts had the ability to attract two differe audiences. The traditional appearance of these young people with modern thoughts brought “in your refuge”, despite its many censorship (which almost led to the complete removal of Parsa Pirouzfar from the series) so popular that a few years later Hamid smiled “in my heart” with Laya Zanganeh and this time Parsa Pirouzfar in the first roles; A series that gained popularity as his former couerpart. Laya Zanganeh in the second series almost revived the same Leila Afshar; Even the makeup and design of his clothes were the same. But Parsa Pirouzfar, with her beautiful and bohemian face for medium for television, became a beloved heart overnight, and this was the beginning of her star.
Strangely, among the actors in “In the Refuge”, whose clever Massoud Kimii (of course his men plus Shahrzad Abdul Majid) chose for his coroversial film “Banquet”, only Parsa Pirouzfar became a star. Hassan Javaherchi, as a young man with a religious appearance, but modern thoughts, although he came to the cinema, shadowed him by Mohammad Mansouri and turned io the first option, the first religious youth of television series. Ramin Baghami and others could never tighten their feet both in the cinema or on television, and over time they were eliminated from both mediums or eveually achieved a complemeary role. Laya Zanganeh, who was the focus of the love triangle (even the love square if Parsa was not eliminated), was very differe from some of the girls in a slightly released reform, but the serial theme created an undeniable charm that brought that class. Whatever the exhattic image of a triangle or love square in the television frame, there was nothing short. Uil then, a young girl could not be displayed on the television screen in such a situation.
Eer the cinema with police and mysterious films
Obviously, after the remarkable success of the series “In Your Refuge”, Laya Zanganeh would reach the cinema. Basically, in those years, the young actors who had begun their newcomers came io the cinema. They gained public fame with a series and then took this fame to the cinema. Laia Zanganeh, who had studied at the Tehran University of Art, had the first professional experience on stage in 1992, directed by Ali Rafiei. That same year, Amin History discovered his artistic tale and then eered the field of television and cinema under the guidance and consultation of Mohammad Ali Keshavarz and Soraya Qasemi. Immediately after “The Secret of Mina” directed by Abbas Rafi, Zanganeh played the lead role in the film “The Secret of Mina”, which was a political melodrama, which did not make much noise. Zanganeh’s first and second film was four years away. Mostly because he was playing in two noisy television projects. “In My Heart”, which was broadcast on Channel Three in 1998 and “Another Birth” that aired on Channel Five.
“In my heart” was the coinuation of the path of “In your Refuge” and the role of Maryam Afshar, but “Another Birth”, a mystery and family serial with a story line derived from an Indian film, gave Zanganeh a completely differe role. In this series, which played the role of a mother who is unhappy with her family life. He goes to death by accide but re -resurrected with a differe face and returns to his home with a differe face in the role of the nurse to be with the evils of her husband’s mother (with the unique role of Jamila Sheikh). “Another Birth” with that cold and exhaust atmosphere, another unusual TV series in those years was broadcast only for Tehrani but gained popularity. Although it was not believable, the charm of its atmosphere and the opposite of the same stereotypical stereotype and innoce bride with good serial games found a lot of audiences and made Laya Zanganeh more and more. However, his game was not so differe from his other games in previous series.
Laya Zanganeh’s mysterious roles in cinema
Zanganeh later returned to the cinema with Darius Culture in 2000 with the film “Relying on the Wind”; A tragedy film based on a classic American film called “A Place in the Sun”. Prior to that, Jalal Moghaddam had made “window” with a free adaptation of the film in 1349, starring Behrouz Vosoughi and Googoosh, which is one of the new wave films of Iranian cinema. Zanganeh played a role in “The Wind” playing in Nouri Kasrai in the window. “Relying on the Wind” was not a successful film, especially compared to its original sources, and Zanganeh did not appear to be a complemeary role. But he did not lead to his shortcomings. In the same year, Zanganeh starred in two other films directed by Mohammad Ali Sajjadi, in a similar genre and a similar space against Fariborz Arabnia, who had gained fame for many years with Massoud Kimii’s films. Both films were not successful, despite displaying Zanganeh in differe roles from Maryam Afshar’s image. The audience was going to the cinema to see Maryam Afshar, but faced a differe picture as a killer or a victim. This made Zanganeh gradually out of the lead role and gradually marginalized in the cinema.
In 2001, he appeared in two films, “Seven Songs” directed by Bahman Zarrinpour and “Danger” directed by Siroush Moghaddam. He played the lead in “Seven Songs”, but the film was not seen much. In the “annoying”, which was still a movie in the mystery genre, she played the role of former Khosrow Shakibai woman, who was actually a complemeary role. Mitra Hajjar, who had just eered the cinema, played the lead role. “The iruder” was a successful commercial film, but most of it owed Khosrow Shakibai and his story line. Zanganeh appeared in the role of a good psychoanalyst, but “annoying” was not a film that made a change in her professional path in cinema. In the cinema, directors and producers saw Zanganeh as a good option for mysterious and psychotic roles. The quality of the dialogues and eyes of Zanganeh and his bright eyes saw him more in the cinema for these roles. Meanwhile, people had and liked him with Maryam Afshar’s persona. Zanganeh returned to television and appeared in the series “Rain of Love” directed by Ahmad Amini and Fereydoon Hassanpour. “The Rain of Love” was broadcast on Channel Five and did not achieve the fame and popularity of other Zanganeh series.
Avoid cinema and “zero -degree circuit” on television
Laia Zanganeh did not return to the cinema from 2001 to two years later and uil four years later on television. In the cinema once again 2003, with the film “Fever” directed by Reza Karimi, he once again played with Amin Hayai; A film with the same at the same time as her previous films, which, despite being a female role, had little success for her, and was soon forgotten, like her other films. His successful work was on television in 2005, which became his eternal home. “Zero Circuit” directed by Hassan Fathi was a large project that was produced by some of the popular television figures in those years, including Shahab Hosseini. Zanganeh played one of the leading roles in the series, and though it was not popular with the 1970s, a successful return to television. The “Zero Circuit” was a successful project like other Hassan Fathi series. The name of the serial was similar to that of Ahmad Mahmoud’s novel but had no resemblance to it; It merely benefited from its popular title.
Zanganeh returned to the cinema after the success of “Zero Degree Circuit” in 2006 with Massoud Kimiai. A film in which the woman played the lead against Faramarz Gharibian and was a differe role in her career. Zanganeh playing the role of a former lover of Gharibian, who was addicted to his surroundings, showed another aspect of his acting ability. But the Boss was built during a period of Massoud Kimiai’s record, which no longer had the success of his seveies. Critics were heavily crushed by his work, and the “boss” was not spared their attacks. Fortunately, even the presence of an importa director Massoud Kimiai could not fasten Zanganeh’s foot in the cinema. The Boss was the last importa role of Laya Zanganeh in the cinema. Although he appeared in the next two chemical films, “Crime” in 2010 and “Domestic Assassin” in 2016. The “crime” was, of course, raised critics, but Zanganeh played a brief role.
TV; Laya Zanganeh
Obviously, Zanganeh would focus more on television. In 2007, in the series “Coma” directed by Sirus Moghaddam along with Amin Tarek, he played one of the leading roles, which was a successful series. Of course, more for Hamed Kamili. There was nothing special in Zanganeh’s television record. After five years away from television, he returned to television in 2012 with a series of Mohammad Reza Ahang and stayed on television. The nineties were in the Zanganeh career. In 2013, he starred in two series “Long Sleep” directed by Ahmad Kavari and “Motherhood” directed by Javad Afshar. In 2015 and 2016, he starred in two other series.
In 1977, two serials aired on television, and on average in the nineties, he worked on average. The experience of two collaborations with Behrang Tawfiqi led to his presence in Aghazadeh, the director of the director, which aired on the home theater network in 1399. Zanganeh played the role of Amin Tarek’s wife in the series, which was largely reminisce of Maryam Afshar’s persona. It is as if the audience is watching the middle -aged and motherhood of Maryam Afshar. Laya Zanganeh’s presence in the series “Aghazadeh” and the boom in the home theater network made him a successful return. His audience was pleased to see his familiar image. Zanganeh finished the nineties with the home theater series, and the 1400s appeared in two television series. His latest series on Yazdan TV was directed by Manouchehr Hadi, which aired on Channel Three in 1403.
Born on August 14, 1344, Laia Zanganeh began her professional route. The success of his first two series promised the birth of a future actor. But the fate was differe for him. The shadow of Maryam Afshar and Zanganeh’s television persona remained on her head, and despite the first success of the cinema, she could never achieve the same success in cinema. The face and sex of his play were more suitable for television rather than suitable for cinema. So he had a stronger presence on television. Zanganeh we to the cinema at a time when faces with more compatible cinema such as Hedayeh Tehrani and Leila Hatami had soon gained starvation. They had started with cinema and the cinema remained. The shadow of the television was never removed from Laya Zanganeh, and to this day, Maryam Afshar has been left in mind. However, he owns one of the most popular and popular television and popular characters.
The best serials and movies of Laya Zanganeh
1. In your shelter
- Year of Play: 1995
- Director: Hamid Smile
- Cast: Saeed Poursamimi, Soraya Ghasemi, Iraj Rad, Hassan Javaherchi, Perry Amir Hamzeh, Parsa Pirouzfar, Azita Lachini, Ramin Parrmi, Habib Dehghan Nasb, Mohsen Zahtab
Maryam, an art stude from a quiet and kind family, is involved in the story of a hidden love with a religious boy named Mohammed. But when Mohammed, instead of expressing ierest, is the mediator of Maryam, Maryam marries her stubbornness. A marriage that fails due to Ramin’s dependence on his mother and Mary’s emotional weakness. After realizing Mary’s infertility, Ramin divorces her without telling the truth. Mary, who has been crushed, is suffering from a severe meal crisis. Mohammed, who still loves him, goes to his father’s marriage despite his father’s opposition, but Mary considers her to blame everything. Over time, Maryam’s old love for Muhammad flourished again, but the night of the marriage, Ramin tells Mary the bitter truth of infertility and reveals that Muhammad knew it. This revelation collapses everything, and Mary is back io the crisis. But Mohammed is still thinking of saving him.
2. In my heart
- Year of Play: 1998
- Director: Hamid Smile
- Cast: Hamideh Kheirabadi, Soraya Ghasemi, Iraj Rad, Enayat Shafi’i, Farideh Saberi, Parsa Pirouzfar, Pouya Amini, Rosita Ghaffari, Jamal Ajlali, Ali Dehkordi, Jafar Bozorg
This series tells the story of class divisions and love despite class differences. The story of the two families of the poor and the wealthy, the daughter of the wealthy family, Sarah, is ierested in Reza and Daei Sarah, and some of the social issues are depicted. Laia Zanganeh plays the role of Leila’s poor family.
3. Another birth
- Year of Play: 1998
- Director: Darius Culture
- Cast: Jamila Sheikh, Abdolreza Akbari, Fariba Specialist, Mahmoud Azizi, Farhad Jam, Zohreh Hamidi, Maryam Saadat, Pourandokht Mahiman, Sanaz Samavati, Mansour Valamqam, Nematollah Georgia
The afflue husband and husband are on the verge of divorce with three children. The story begins where the couple was injured in an accide while going to a party in Lavasan and their car crashes io the valley and burns. The husband is out of the car in the last mome and is rescued with the help of rescue forces, but there is no trace of the woman. A doctor finds a plastic surgeon and surgery on her face. The woman returns to her former home after changing the face as an anonymous nursing, and this time she collides another. So that the children, the wife, and the mother of her husband are strongly attracted to the exte that they realize her main character and her husband again asks her to marry. Laya Zanganeh plays the role of a marked woman in this series.
4.
- Year of Play: 2007
- Director: Hassan Fathi
- Cast: Shahab Hosseini, Natalie Matthew, Roya Timurian, Massoud Free, Pierre Dagher, Athena Faghih Nasiri, Payam Dehkordi, Iraj Rad, Rahim Norouzi, Ahmad Sachian, Ramsin Kobrati
“Zero Circuit” is a historical-love narrative about Habib Parsa, an Iranian stude of philosophy who goes to the University of Paris at the same time as World War II. There he meets a Jewish girl named Sarah Strok; A relationship that begins with class coroversy and becomes a challenging love. With the arrival of Nazi forces in Paris, John Sara and her family are at risk. After their migration to Iran, complex and political adveures occur in Tehran; Habib’s arrest, the death of those around him, the assassinations and the hidden Zionist conflicts. In the end, after the death of Sara’s uncle by himself, Habib was imprisoned for the second time, but finally released and reaches his lover. In this series, Laia Zanganeh plays the role of Zi al -Muluk Jahanbani, the wife of Jahangir Homayoun Panah.
5. Fame
- Year of Play: 2000
- Director: Mohammad Ali Sajjadi
- Cast: Fariborz Arabnia, Laya Zanganeh, Bita Heidari, Saeed Soltani, Gholam Hossein Lotfi
Taher has married Ruja despite his family’s opposition. On the night of their daughter’s birthday, she receives a suspicious gift from an unideified man who claims to reveal a bitter truth about Raja’s betrayal. Taher, who has stuttering and has a bitter past, is gradually suspicious of his wife. Anonymous calls coinue and accurate information is provided that drives Taher to the boundary of madness. Finally, he is taken to the meal hospital. Raja, who has applied for a divorce, goes to an unideified man with his beautiful friend, and it turns out that the whole story has been a beautiful and beautiful plan for Raja. After discovering the truth, Raja kills the two and falls to jail. Laya Zanganeh plays Raja’s role in this film.
6. Iroducing
- Year of Play: 2001
- Director: Cyrus Alvand
- Cast: Khosro Shakibai, Mitra Hajjar, Amin Hayai, Homayoun Ershadi, Saeed Pirdoust, Ali Asghar Tabasi, Nadia Deldar Golchin, Sadruddin Hejazi
Nima Dadgar, a popular and popular actress, has been married to a young actress named Ghazal for some time. Nima is working on a filming project that many suspicious phones in their home make Nima and Ghazal discomfort. An annoying person who has a feminine voice only talks to Nima and does not give up any addresses for several days; The same thing causes Ghazal to be suspected of his wife Nima, but the story goes as it is about. In this film, Laia Zanganeh plays the former wife of Khosro Shakibai.
7. The boss
- Year of Play: 2006
- Director: Massoud Kimiai
- Cast: Faramarz Gharibian, Khosro Shakibai, Polad Kimi, Dariush Arjmand, Amin Tarek, Mahnaz Afshar, Akbar Moezzi, Hamid Reza Afshar
Siamak, a young man on the eve of a complete fall, is a task of delivering drugs to twey -five. At the height of the dark, his father Reza, a fugitive man of the past, returns to save him. The only hope of Reza, his old friend, is a lonely colonel from a family tragedy that still believes in his innocence. In the meaime, love, memory and comradeship will once again live in the hearts of the characters. Siamak burns his clies; He finds love in the heart of ruin. Finally, the unity of two old friends again leads to the collapse of the head of the back. Reza finds his son. But this is not the end of the story. The poison drops are still cheap and ambush of other lives. Laia Zanganeh plays the role of Reza’s beloved in this film.
8. The crime
- Year of Play: 2010
- Director: Massoud Kimiai
- Cast: Pulad Kimii, Hamed Behdad, Shabnam Darwish, Jamshid Mashayekhi, Dariush Arjmand, Massoud Free, Siamak Ansari, Bahareh Rahnama, Akbar Moezzi, Jalal Pishvyan, Kianoush Grami, Nikki Karimi
“Crime” narrates in Tehran from 1355 to 1977 and depicts the life of a man who does not wa to return from his principles and beliefs. Reza Sarcheshmeh is accideally imprisoned and is involved in the eves of the revolution after being out of prison. With this film, Kimii again succeeded in attracting critics. The film was successful and received awards from the Fajr Film Festival. Laya Zanganeh played a brief appearance in the film.
9. Aghazadeh
- Year of Play: 1399
- Director: Behrang Tawfiqi
- Cast: Amir Aghaei, Nikki Karimi, Amin Tarek, Sina Mehrad, Amin Hayaei, Diba Zahedi, Samieh Lak
Saeed Dach, Soraya Ghasemi, Akbar Rahmati, Mohammad Hossein Latifi, Pardis Pour Abedini, Mehdi Soltani, Kaveh Khodasnas, Jamshid Hashempour, Masoud Forutan, Kambiz Dirbaz, Ehsan Amani
Aghazadeh tells the story of a Aghazadeh named Nima Bahri (Amir Aghaei) who has committed economic violations and an age named Hamed Tehrani (Sina Mehrad), who is also a Aghazadeh, tries to reach Nima’s hand with completely opposed characteristics. Laya Zanganeh plays the role of Hamed Tehrani’s mother and Amin Tarek’s wife.
Source: DigiKala Meg
