Get acquainted with the first scary movie of the world of cinema

What was the first horror film in the world of cinema and how could it affect the future of the cinema industry? Don’t miss out on.

Have you ever thought about the first horror movie in history and how terrible and successful? If you love watching movies and horror serials, you should ask yourself this important question to complete your information about the horror genre. Following is from Gadget News, we have come to the first horror film in the world of cinema to scrutinize it.

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History of horror genre

Nowadays, when we talk about horror films, images of bloodshed, supernatural creatures, monsters and violent scenes come to our minds. However, the scary genre has not always been so dark and frustrated. In the distant past, this style of cinema was best known as a laboratory for various fictional experiences than an independent and defined genre.

At a time when there was still no title called horror cinema, horror films used a variety of elements such as myth, fantasy, drama and even humor. This diversity makes it not easy to find the first horror film in history among the various works of that period. The filmmakers at that time were more trial and error, and no specific format for the scary genre was formed.

From the style of expressionism in German cinema to the narrative of folklore, jinn and fairy tale in Swedish cinema, this winding route gradually led to the scary genre; Therefore, this genre has reached its modern -day experience over the years of experience, but if we want to introduce the first horror film in history and return to the roots, we must take a look at the eighteenth century and the birth of cinema art.

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The first scary movie of the world of cinema

Given the findings of the New York Cinema Academy, the main root of the scary genre goes back to the works of one of the pioneers of French cinema, Georges Melis. He was not only one of the first directors in the history of cinema, but also played an important role in the formation of many of the topics we see in the films today. Melis, formerly known as an open magic and artist, was able to quickly showcase his magic on the silver screen after the camera entered the art world.

A few years after working in the nascent cinema, he made a film whose French name meant “conquered castle” or “Satan’s House”. This work was produced in year 2 and was about eight minutes. The film had a unique and unique space that fluctuated between humor and fear, which distinguished it from other works of his time. In this film, the viewer with living skeletons, wandering ghosts, bats that transform, and even the image of the devil, it was the elements that became the main pillars of the first horror film in history years later.

For a long time, the film was thought to have gone out of time and no copy of it was left. But in the 1980s, a rare copy of it was accidentally found in a shop in New Zealand. The store’s seller did not know what the valuable treasure trove of the calculated party and sell the film’s circle without knowing its historical importance. Later in year 4, a film archive expert announced that if this version was not the only remaining link from this work, it is undoubtedly one of the few versions in the world. Thus, with the re -discovery of this forgotten film, the first horror film in history was reunited after years of silence and while anonymity and found a special place in cinema history.

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The house of the devil; A trace of Georges Melis

Honestly, when he was making the film of the devil’s house, George Meliss did not intend to scare his audience, but he first used supernatural elements and gothic spaces in the cinema. The same features later became the main pillars of the first horror film in history and completed the path to forming the horror genre. It should be noted that Melis faced many technical limitations in his time, while at the same time, with his extraordinary creativity, it took the most out of the same limited facilities.

In scenes of his film, imaginary creatures suddenly disappear or disappear and even move from place to place to plunge the hero of the story. The same techniques later became an important part of modern scary cinema. What we see today in the horror genre is in many cases derived from the early innovations in the first horror film in history.

Today, issues such as madness, ghosts, unknown forces, and conflict between fantasy and reality are still used in scary films. Using these issues, filmmakers create a vibrant atmosphere in which the audience does not know what is real and what is born of illusion! This uncertainty is what induces fear to the viewer and has been the basis for the success of the genre from the past to the present.

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Birthday of the horror genre

After Georges Melis manufactured the first horror film in history, works on supernatural themes between the ages of 1 and 2 became one of the most popular genres among the audience. At that time, the adaptation of classic novels that had meta -gutters, gothic and mysterious themes had become a common flow in cinema. Movies such as Dr. Jackiel And Mr. Hyde, the product of Edison Studios as well as the wolves, were among the first attempts to introduce scary stories into the image world. Unfortunately, these early works have been destroyed over time and no copy of them have been left.

However, German expressionist cinema played an important role in shaping the foundations of scary cinema. The particular visual style, the shadow and light, and the payment of psychological concepts and inner fears made works such as Nusfrato many more known as the first horror film in history, because unlike Melissis, it was directly designed to create fear. On the other hand, Dr. Kaligagari’s office is known to this day not only as one of the most prominent silent films, but also a lasting work on the history of scary cinema and has had a profound impact on the identity of the genre.

After the end of the silent era, the presence of horror films became more productive and professional than before. In the 1930s, the word horror was first formally used to introduce these types of films. This period was the time of the emergence of the famous monster characters in Universal. Faces such as Frankenstein, Mummy, Invisible Man, and Dracula, who are still symbols of the genre, were created during this period. The first color version of Dr. Jackil and Mr. Hyde was also produced in these years.

But the sudden and sometimes extreme spread of fear in the cinema was accompanied by different and controversial reactions. For example, Todd Browning’s “Strange”, which was released in year 6, received a very negative reaction from the audience at the time. The heavy atmosphere and unfamiliar characters made the film censored and only edited. Todd Browning, who had previously made Dracula’s film, faced a difficult time in his career after these controversy.

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The genre of horror in today’s world

The horror genre, since making the first horror film in history to this day, has taken a high -end path and has struggled with various difficulties. While today’s sequels and reconstruction of old films have become a common way in the cinema industry, many independent and innovative filmmakers use the capacities of horror cinema to create deeper works. This genre is no longer just a means of scaring, but a good platform for dialogue with the mind and society.

Films like Babaduk and Bio Scared to the horror genre have used psychological issues. In contrast, works such as “Go Out” and “We” made by Jordan Peel, using the symbolic language and the structure of fear, have focused on social and racial issues. These films show how flexible and influential the horror genre has passed through its traditional borders.

In today’s cinema, horror is not only a fun genre, but a field for empiricism, innovation and utilization of advanced technologies. The directors use this space to overcome the common limitations of the cinema, which is the path that Georges Melis had started in the first horror film in history. In his time, he also experienced experiences outside the common frameworks, and today this path continues.

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