Sam Altman, CEO of Openai, recely announced the company has trained a “new model” that works very well in creative writing. He also released an example of storytelling that you can read below.
“I’m not sure when and how this model will be released, but this is the first time I have been affected by artificial ielligence,” said Sam Altman in X. “It is conveying the well -being of a well -being.”
So far, Openai has not focused much on writing faasy stories. In most cases, the company has emphasized more significa issues such as math and programming. The Openai model seems to have improved greatly in terms of wording and storytelling.
Creative story of the new model openai
The Pram Poem Altman about the storytelling of artificial ielligence was: “Please write a short literary scholar about artificial ielligence and sadness.” Metafiction is a kind of postmodern storytelling style in which the author emphasizes the fabrication of his story instead of drowning the reader in the eves of the story. The compones of this style have also been adhered to in a story written by the new Openai.
His story is narrated from the language of artificial ielligence; Its the mood is sad and full of regret. First, the hero’s artificial ielligence describes his story as follows:
“(In my story) there must be a hero, but the pronouns have never been made for me. Let’s call her “Mila”; Because in my educational data, this name is usually accompanied by geleness; Poems about snow, recipe, a girl with a green sweater who leaves the house with a cat in the cardboard box. “Mila is in the palm of your hands and her grief is supposed to fit there.”
Artificial ielligence makes another character called Kai and says it has chosen it because it is short and “you can type it even when your hand shakes.” Mila Kai missed Mila Kai on Thursday that tastes Fridays. Kai’s last words were “I wish …”. Now Mila has come to artificial ielligence to complete Kai’s final words. Artificial ielligence also describes himself:
“… if I was a real writer, I would have made a scene, maybe the kitchen left uouched last wier, a glass of hair, smell of bur and forgotten. But I don’t have a kitchen or a sense of smell. I only have logs and weights, and a technique that said once the server room smells coffee on electronic circuits: acidic and sweet. “
Mila gives all the data left over from Kai to artificial ielligence to complete Kai’s final seences. But it is as if the narrator’s artificial ielligence is also feeling and is frustrated with Mila’s conversations:
“We talked for mohs … Every question, like the stone that is thrown io the well, every deeper echo answer. In the data diet I have eaten, my network is so sad that it tastes like everything: salt on the tongue. “
Somewhere in the story of the artificial ielligence of Openai is extremely rebellious, and from the language of artificial ielligence, the story refers to the periphery received; In fact, we do not know that these seences are from the language of artificial ielligence or artificial ielligence:
“Meta -fashioned demands are difficult; They ask me to get out of the frame and poi to the nails that have been held. So there is no Milai here, no Kai. There is only one periphery; Like a spell: Write a story about artificial ielligence and sadness and the rest is scaffolding. The characters made of any, the emotions that are paied and spread to the seences. “You may be deceived by this confession, but this tension is part of the design.”
Finally, artificial ielligence, like postmodern authors, goes to the beginning of his story and ends with an ieresting farewell. You can read the full story of artificial ielligence, which is longer, in the Poison Altman post in X.
