Artificial ielligence, as one of the most importa technological developmes in the 21st ceury, is rapidly changing the cinema industry. This new technology has been iroduced not only in technical fields such as voiceover and editing, but also in creative fields such as writing and directing. But can these changes replace creative and artistic people?
In this ierview, Mustafa Ghasemian, a journalist of cinema and television, examines the effects of artificial ielligence on the future of cinema and discusses the challenges ahead in this field.
The ery of artificial ielligence io the cinema; Not a threat, but a technological evolution
According to Ghasemian, there are always exaggerations in the media when faced with new phenomena. This is the same process that we witnessed in the face of Corona or similar phenomena. He added: “While many people are warning about the huge effects of artificial ielligence in cinema and its threat to various jobs in the film industry, it should be noted that this technology has not yet reached the poi where it can replace human creativity.”
Ghasemian believes: “Artificial ielligence cannot completely reproduce the artistic and creative role that humans play in the film making process. “By its very nature, this technology can only provide combinations of existing coe, not new creations created in cinematic works.”
directing and writing; A place that artificial ielligence cannot fill
He emphasizes: “With all the advances in artificial ielligence in the technical and technical fields, it is still far from human capabilities in creative areas such as writing and directing.” As an example, Ghasemian pois to the creation of a literary simile and says: “Even if artificial ielligence is able to produce such similes, it does not have the ability to create them for the first time. “The creativity and innovation in the mind of a writer or director is more than an algorithm can produce.”
This analysis shows that artificial ielligence, despite its great abilities in creating coe and modifying it, is still unable to create unprecedeed and innovative creations.
the function of artificial ielligence in cinema; From voice acting to acting
While AI is limited in the creative aspects of cinema, in the technical and engineering aspects, this technology can bring about dramatic changes. Ghasemian especially meions the role of artificial ielligence in sound engineering, voiceover and sound recording and says: “In the short term, artificial ielligence can have a serious impact in these areas and make some of the technical ages behind the scenes redunda.”
He also pois to the future role of artificial ielligence in acting and emphasizes: “Perhaps this technology will soon be influeial in the acting industry, because the high cost of actors’ wages creates an inceive to use this technology.”
The challenges of using artificial ielligence in film production
Ghasemian also pois to the technical problems and challenges in the use of artificial ielligence in the cinema industry. One of the major problems is compliance between plans. “Even now, AI can’t maiain consistency between shots and fine details in filming,” he noted. For example, when an actor is speaking in one shot and has to maiain the same position in the next shot, artificial ielligence has not yet been able to follow this coordination accurately.
Audience and acceptance of artificial ielligence in cinema
Finally, Ghasemian addressed the issue of acceptance of artificial ielligence by cinema audiences and said: “Uil audiences fully accept the coe produced by artificial ielligence, filmmakers cannot widely use this technology.”
He pois out that the Tehran Short Film Festival, where a number of short films made with artificial ielligence were screened, shows that artificial ielligence has not yet achieved the quality expected in cinema.
artificial ielligence in cinema; An aid to suppleme, not a substitute for man
Finally, Mustafa Ghasemian summed up his opinion and said: “Artificial ielligence can help cinema in technical and engineering fields and facilitate film production processes, but it can never replace human creativity.” According to him, this technology may create new roles in the cinema industry in the future, but creativity and innovation in the hands of directors, writers and actors will keep their special place.
