Quoting Ilna; The City Theater is not just a monument listed in the National Heritage List of Iran, a live museum in downtown Tehran witnesses and narrates Iran’s political, social and cultural history. Widespread interventions in the field and privacy of this valuable historical monument have repeatedly led to widespread criticism and strong protest by the people. Alexander Mokhtari believes that widespread interventions in the field of important and valuable building such as the theater of the city are a strong slap on the face of the culture.
The cultural heritage experts believe that even pulling the tall fence around the area has not been able to calm the city’s theater.
Alexander Mokhtari, a researcher at Cultural Heritage and Architecture, believes:
Non -interventions in the field of city theater structure disrupts the performance of the city theater, and this disruption is constantly damaging it. All the events and interventions that occur in the city theater are completely disrupting the performance of the city theater and not even causing the color of the city.
She believes:
What happens to the City Theater is in fact a slap on the face of the culture, otherwise this volume of interference in a historical structure and artistic space of downtown Tehran can be done, and no one can sound.
Experts have repeatedly stated that the state of the theater of the city has become very complicated, and as it is going on, the building was struggling with various challenges and challenges. Extensive interventions in this valuable historic monument on the one hand, the burnout of the city theater structure, has raised concerns about this city’s historical monument.
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