The secret of the secret wife of the king of Prussia; The tomb of secret love was discovered in Berlin

During archaeological restorations at the Boch Historical Castle Church in the northeast of Berlin, a unique tomb was discovered, which is likely to belong to Julia Von Fus, Lady Ashrafzadeh and the informal wife of King Friedrich Wilhelm II. This archaeological finding not only gives a light on the less well -known angles of the Prussian court, but also tells a personal, humane and sensitive narrative of a young woman who lived in the aristocratic silence and in the same silence.

Julia von Fus, Lady of Queen Friedrica Louisa, in the year 6, with the Queen’s secret consent, with a Morganatic connection with the Prussian king; A marriage that, according to custom, did not pass the royal rights to the spouse and was not recognized in the court hierarchy.

The marriage was in silence and without formal formalities, at the Charlotteburg Palace Church. Julia received the title of “Connex Ingheim” following this bond; But this season of his life was very short. Two years later, in the year 2, at the age of twenty -two, he died of tuberculosis.

The recent discovery is a brick and rectangular tomb that holds a wooden coffin with exquisite neoclassical decorations. The surface of the coffin is decorated with gold plaster, artistic molds, and adorns, and clearly shows their high status. Interestingly, this tomb, unlike the court’s custom, is located not next to the other aristocracy but in a separate area and behind the altar of the church.

This choice is clearly in line with Julia’s personal will. In some writings, he had asked to be buried in his hometown, in silence, and in the form of formalities. Now, centuries after that silent will, his tomb returns to remembrance.

Sabastian Huber, a officials of the Berlin State Conservation Department, describes the discovery:

We are confronted with a tomb that reflects the burial rituals of premium women in the late eighteenth century. The special placement and the impressive design of the coffin is a testament to the hidden but important life of a woman who was seen in the context of Prussian history only on the sidelines.

Although the definitive confirmation of the deceased’s identity requires the opening of the coffin and genetic testing, due to the fragility of the wooden structure and the historical value of the work, the final decision to do so has not yet been made.

This tomb is not only part of the royal history of Germany, but also a reflection of human experience, the desire for independence, and the narrative of a woman who chose silence in the struggle of power. The discovery of this tomb is an opportunity to revise the ignorant roles of women in European history and the importance of personal narratives in the heart of formal structures.